Showing posts with label press release. Show all posts
Showing posts with label press release. Show all posts

2014-03-14

Nikon 1 V3 Press Releases


Concept: 2 out of 5
Execution: 2 out of 5
Yeah, but: I am Jack's complete lack of surprise.

The Long Version: First of all, there's no way to separate my reaction to the Nikon 1 V3 press release without also responding to the camera that inspired it. I haven't handled the N1V3, and have no special knowledge about it, but I do know the Nikon 1 V1. It's impossible to be impartial.

The product images, as with my Canon G1X2 Press Release review, are adapted from the official images which anyone can download from Nikon's press site. Interestingly, the press releases on Nikon's Canadian and American sites are very different, so I'm going to be picking bits from each.

To begin, let's look at the headlines.

USA: The world's fastest*1 continuous shooting rate with AF tracking, performance with tracking of moving subjects that exceeds that of digital SLR cameras, and capable of full-scale operation.

Canada: Create with Uncompromising Speed and Image Quality: Nikon 1 V3 Provides a Compact, Versatile Feature Set for Capturing Stunning Images and HD Videos. …the Nikon 1 V3 is the ideal companion camera for the DSLR shooter looking to pack light and move fast.

Is it true that Canadians are friendlier and more polite than Americans?*1 The USA release hits the obligatory "World's Fastest" claim right off the bat, and stakes its position that the 1V3 is superior to an SLR, while the Canadians are simply looking for some companionship. I can't puzzle out exactly what 'capable of full-scale operation' means, but it seems to be trying to counterbalance the USAian Bigger is Better perception against the Compact, Versatile marketing message that sells these cameras elsewhere in the world. The Canadian press release calls the V3 compact four times, while the American uses it only once.

USA: …the latest addition to the V series of Nikon 1 advanced cameras with interchangeable lenses that propose new forms of imaging expression.

Canada: …a compact yet powerful addition to the Nikon 1 Advanced Camera with Interchangeable Lens System.

Again we see the Canadians throttling down the exceptionalism, as we tend to do. If you're an American buyer, the 1V3 stands to fundamentally change both art and technology, while in Canada it's just yet another camera. A good camera, to be sure, but the understated Canadians are not even going to claim that it's the latest model in the line, which clearly – if, invariably, temporarily – it is. But the one thing that both cultures can agree on is that Nikon uses a terribly awkward way to refer to what actual real people call "mirrorless cameras". Nikon being Nikon, the word "mirror" never appears in either press release.


Canada: a blazing fast Hybrid AF system and the world’s fastest continuous shooting frame rate1 at 20 frames-per-second (fps) with full autofocus (AF) – a speed that outpaces even professional DSLR cameras.

Okay, that's pretty impressive, and now we know where the Canadians put their better-than-SLR claim. Of course the N1V1 was also on par with – or faster than – the top SLRs of the time, but was crippled by a mandatory last-shot image review that locked out the shutter. The lesson here is to never underestimate Nikon's ability to screw things up, including fundamental things that they've gotten right in dozens of cameras before now.

Nikon is very quiet about the shot buffer depth of the 1V3. The Canadian release never mentions it, but the Americans say 40 shots over two seconds, without specifying file format, or 50 shots using the mechanical shutter at its limit of 6fps. For comparison, the old Nikon D4 can do about 100 raw images (or 200 jpegs) at 10fps with tracking AF, while a stock F5 from 1996 could do 7.4fps for 36 shots.

USA: 105 densely packed focus points positioned over a broad range of the frame ensure precise acquisition of moving subjects.

Densely packed over a broad range? Seriously? How is that even possible? Either somebody ate some bad jumbo shrimp for lunch or this is Nikon's way of conceding that the CX sensor format is really small. But I will give the PR teams a lot of credit for not adding up the 171 CDAF points with the 105 PDAF points to claim 276 total AF locations. It seems that, even with them being densely packed over a broad area, there's a lot of overlap in the actual point positions.

USA: …the world's fastest*1 high-speed continuous shooting rate with AF tracking … as well as the world's shortest*3 shooting time lag ensures fast and precise focusing…

This is interesting*2 for what it doesn't say: the claim for World's Fastest Autofocus is nearly mandatory for a press release these days, but this one skirts the subject with a couple of claims that are related but not quite the same thing. That seems too carefully done to be irrelevant, but I can't decide what it might actually mean. Nevertheless, I keep looking askance at this phrase, and am waiting for the other shoe to drop.

Canada: “…” said Gregory Flasch, National Advertising and Communications Manager at Nikon Canada. “With an incredible feature set, a newly-crafted ergonomic design, and the elite high-speed performance…”

It's thoughtful of the people in Nikon Canada's marketing department to include a quotation from their boss about the new camera, because otherwise we might not know from the outset what tone the upcoming advertisements would take. Spoiler alert: they like it.

The N1V3 seems to have picked up some styling cues from the Canon EOS M. I admit that I like the look of the new Nikon, both when it's stripped down or when it has the optional/bundled EVF and grip attached. The N1V1 won no prizes for its appearance, while N1V2 was cripplingly unphotogenic, so any improvement here is a good thing. As for the actual quality of the new ergonomics and elite performance, I can only say that I'm looking forward to trying it out – before putting it back down and walking away from it forever.


USA: What's more, the Nikon 1 V3 offers an operational system that users of digital SLRs will find familiar.

Just remember this bit for a few moments, and consider that at its launch price the 1V3 costs as much as a really good SLR, meaning that it will mostly appeal to people who already have excellent SLRs.

USA: The Nikon 1 V3 is equipped with a main command dial on the back of the camera and a sub-command dial on the front…

On the front of the camera is the Nikon Df Memorial Vertical Dial, while the back has a more conventional horizontal dial. There's also a third, uncounted consumer-standard dial around the four-way controller, which has an Exposure Compensation button on it. Seeing that button was when I first heard my own photographic death knell tolling for this camera.

USA: …allows users of digital SLR cameras to apply and adjust settings such as shutter speed in a familiar manner.

Such as shutter speed, but not such as exposure compensation. That's the opposite of awesome. In fact, that's the same bad design that ensures that the Ricoh GR stomps all over the usability of the Coolpix A, which was another camera that Nikon intended to be familiar to its SLR users. Once again Nikon gets the fundamentals wrong. As far as SLR-like operation, or even general usability goes, this is a massive screw-up on it.

I simply will not consider buying a camera that doesn't give direct and immediate access to two variables at once, which I typically set to aperture value and exposure compensation. And while this should be a simple thing to rectify with a firmware update, Nikon is as willing to fix problems with its existing cameras as Sony is likely to release a complete lens collection before losing interest and moving on. The N1V1 remains a usability disaster two generations later, and D600 users might have some experiences to add here, as well.

If this camera was made by Ricoh or Fujifilm then I'd have complete faith that an error like this would be fixed. But Nikon is a camera company, not a photographic company, and I'm sure they've already wiped the N1V3 from the corporate resources and moved on to the next model in their relentless parade of V1.0 products that passes for innovation.


Canada: An additional function button is added with the optional GR-N1010 grip, a lightweight option that provides steadier handling, as well as an additional shutter button and sub-command dial that will be familiar to DSLR shooters.

Love that product name. GR-N1010. Like poetry.

It remains to be seen if the secondary sub-command dial that will be familiar to DSLR shooters will add to or over-ride the Df Memorial Vertical Dial that's also on the front of the camera; it also remains to be seen if the Df Dial can even be reached with the grip in place. But the grip does offer the intriguing possibility of having two shutter buttons on top of the camera, which seems like something of a first.

USA: the first Nikon 1 camera to be equipped with a virtual horizon function … and is capable of detecting not only roll (camera tilt to the left or right), but also pitch (camera tilt forward or back), a capability previously limited to high-end digital SLR cameras.

Nikon, frankly, assumes that its audience has its collective head up its collective ass. The Olympus E-PL2, Sony NEX6, Panasonic GX1, Canon G15, Ricoh GRDIV, and others all had this feature long before Nikon broke it out of their high-end SLR bracket. But in truth Nikon has a long history of only caring about what Canon is doing*3 in the same product tier, where a dual-axis level remains limited to the 7D and above, so I shouldn't be surprised.

Canada: Another innovative addition to the Nikon 1 Series is the V3’s new tilting, touch-panel 3-inch LCD monitor that allows photographers to compose brilliant images and HD videos from various new angles.

Don't worry, I'll refrain from listing other cameras that have a 3" tilting touch screen. Life simply isn't long enough. But there is some novelty in putting a row of hard buttons on the tilting LCD panel, which is interesting and may border on being innovative. Whether this is a good idea or not remains to be seen, but it may provide some benefit when the camera is on a tripod. Not that this camera is really meant to be used on a tripod, since that blocks access to the little battery and Micro-SD card slot.

Did I forget to mention that the blazing-fast N1V3 is the first Nikon interchangeable-lens camera to use Micro SD cards? That must be because the press releases skip that little innovation, too.

I'm also wondering how long it will be before specifying that a camera records 'HD Video' becomes the camera-equivalent of a motel specifying that they have 'Color TV'. It might have been impressive once, but it already sounds dated, and will soon be a superseded expectation.


Canada: The Nikon 1 V3 also empowers users to unleash their creativity, with fun and unique shooting options for all levels of photographer.

Every camera these days comes with built-in creativity as a standard feature. The American press release doesn't make this specific claim, but it's probably because they're all still busy creating new forms of imaging expression.

USA: The 0.48-inch, approximately 2359k-dot color TFT LCD viewfinder with frame coverage of approximately 100% supports diopter control and brightness adjustment. It ensures a broad field of view equal to that of digital SLR cameras…

They don't specify which DSLR the viewfinder is equivalent to, so I'm hoping that it isn't the D3000. The dots and size of the GR-N1010 are essentially the same as the EVF on the Fujifilm X-E2, which is no slouch. While Canon's EVF-DC1 for the G1X2 doesn't specify its screen size, the dot count is about the same and it even sells for almost the same premium as the N1V3 kit with the lens, viewfinder, and grip. Something tells me that the G1X2 and N1V3 is going to be an interesting competition to watch; a battle of the slow-selling and overpriced Titans.

USA: …adoption of the same rounded eyepiece used with the cameras such as the D4, Df, and D800, the DF-N1000 supports full-scale shooting capabilities.

That's an amazing bit of name-dropping, and highlights that the round eyepiece has always been reserved for the cameras that Nikon considers "Professional", such as the D300. No doubt the forums will find that significant, but what intrigues me is that they mention the D4 here, not the D4s, which was announced on February 24 and is already shipping. That suggests that the N1V3 release was written before then, and despite the nearly three-week wait until the V3 announcement, nobody went back and updated it.

They probably assumed, almost entirely correctly, that nobody was likely to notice or care.

And I still have no idea what 'full-scale shooting capabilities' actually means.


*1 When compared to Americans who reside in the same time zone as the Canadians that they are being compared to, possibly; compared to just about anyone else in the world, not so much.
*2 "Interesting" being a relative term and compared only among press releases for similar products as of March 14, 2014.
*3 With the recent exception of Nikon becoming dimly aware of Fujifilm, resulting in the Df, from which Nikon will almost certainly take the wrong lesson. 


last updated 15 mar 2014

2014-02-18

Canon G1x Mark II Press Release


Concept: 2 out of 5
Execution: 3 out of 5
Yeah, but: I don't even mention the Advanced Star Mode.

The Long Version: In the same way that movie trailers are an art all to themselves – and are often better than the movies that they foreshadow – I have a fondness for camera press releases. I wanted to share my thoughts on the newly-announced G1X Mark II announcement, but fair warning: this may turn into one of those "I read it so that you don't have to" series.

Being Canadian I'll be quoting the release as it appears on canon.ca; it's also published on the American site and on DPreview. All of the product images are from the Canon press kit as I haven't yet had a chance to photograph the camera myself, although I am genuinely looking forward to the opportunity.


We begin: Building upon the success of the PowerShot G1 X digital camera…

This press release comes out swinging right from the opening sentence. The original G1X was a dud, an uncommonly lousy camera, slow and with none of the G-series charm. It never lived up to its expectations, either photographically or in market appeal. I suppose it's possible to build on the success of a failure, but it's setting the bar fairly low. Still, full points to Canon for their shameless revisionist hype.

Boasting a sensor that is 4.5x larger than a 1/1.7” sensor found in professional level point-and-shoot cameras…

I'm not sure what's more alarming: that Canon still thinks that a 1/1.7” sensor is the benchmark for an advanced compact, which suggests that they've never heard of Sony or Fujifilm, or that they think that there's such a thing as a "professional level point-and-shoot camera". But now we know that the new G1X model is 4.5x better than a pro point-and-shoot, which simply boggles the imagination with all of the possibilities that must entail.

Incidentally, having a paid and accredited Canon Professional Services membership isn't grounds for getting a discount when buying the EOS 5D Mark III, so I can only conclude that Canon doesn't consider anything below the 1D-series to be a professional camera when it's their own money on the line.

This sensor, combined with the DIGIC 6 Image Processor, comprises the Canon HS SYSTEM resulting in faster autofocusing speeds over the PowerShot G1 X camera…

We're still in the second paragraph and we've already reached the inevitable "It doesn't suck as much as the _________" part of the press release; in this case the G1X2 is triumphing over the camera that was called a 'success' just one paragraph ago. For what it's worth, the HS SYSTEM that's presented as the saviour of the G1X2 is a Meaningless Marketing TERM™ that was also included with the now-admittedly-inferior original G1X.

Featuring a newly-developed f/2.0 – f/3.9, 5x optical zoom lens (equivalent 24-120mm zoom range)…

Typically for a compact camera announcement from Canon, at no point in the press release do they say what the actual focal length of the lens is. Thankfully it's printed right on the front of the camera: 12.5-62.5mm. Carefully parsing the numbers shows that the G1XII actually has a slightly smaller effective sensor area than the G1XI, although it turns out that there's a really good reason for this.

For those keeping score, 62.5/3.9 = 16.025 and 62.5/4 = 15.625. I applaud the tireless and diligent efforts of the engineers who fought to attain that extra 0.4mm difference between f/3.9 and f/4 at 62.5mm. Sure, the practical gain is probably less than the light that's lost to the extra glass needed for the in-lens IS system, but it keeps the G1XII from admitting to a sales-killing f/4.0 aperture at the long end.


… advanced wireless capabilities such as NFC and enhanced low-light shooting and autofocusing…

There's that autofocus improvement being touted again. On the other hand, better autofocus and low-light shooting are two of the many improvements that have been claimed for nearly every digital camera released in the past decade. Similarly, wifi is the new mandatory standard feature, so a passing reference here doesn't hurt.

I do have to admire the restraint that stopped the G1X2 press release from claiming that it has the World's Fastest Autofocus, a title that has recently been self-awarded to the Olympus E-M10, Sony A6000, and the Fujifilms XQ1, XE2, X100s, and F1000EXR. Sure, The World's Whateverest™ is a moving target with ample sub-categories, but come on now. Even the people at derpreview are starting to notice.

… the G1 X Mark II is a well-rounded professional-level camera that allows photographers to get creative.

This is my favourite part of every new camera press release: buy it because it contains creativity!

To be fair this press release is considerably more modest than the Built-In Art claims of many point-and-shoots, but remember that this is a professional camera – the press release says so six times – so it needs to have a certain gravitas.

… equipped with a new type of Canon-made, 1.5-inch CMOS sensor to help achieve optimal performance from low to high ISO speeds.

Canon mentions that they made the sensor in the G1XII in two different paragraphs, just in case someone reviewing the press release skips it the first time. A bespoke sensor shows off their impressive manufacturing prowess but says nothing about its quality. The good news is that this new sensor is optimized for the entire amplification range without any weakness anywhere.

It has a default aspect ratio of 3:2 which is the same ratio the advanced user has come to expect…

This would be a dig at Micro Four Thirds, which started the whole 'mirrorless' thing that the original G1X was begrudgingly and belatedly intended to compete against. Canon hates all mirrorless interchangeable-lens format cameras, and does everything it can to avoid making them. The original G1X, incidentally, has a 4:3 aspect ratio.

If the photographer wants to switch to a 4:3 ratio, it can be done without impacting the field of view.

And this is called "burying the lede". Having a multi-aspect sensor is a first for Canon, and might be the most remarkable thing about the camera, but it's hidden in the fifth paragraph in the press release. Nobody voluntarily reads that far in; it's the press kit equivalent of releasing a Parliamentary Committee report at 5:30 on a Friday afternoon. But this multi-aspect feature is the reason why the G1X2's effective sensor size is a bit smaller than the G1X1, and personally I approve. It's too bad that they didn't do the full Panasonic and include a native 16:9 ratio as well, but clearly we can't have everything.


The new PowerShot G1 X Mark II camera uses 31 Auto Focus (AF) points, compared to the PowerShot G1 X camera that uses nine AF points, resulting in improved autofocus capabilities…

Not to sound like a broken record on this one – funny how that expression outlasted skipping CDs – but is anyone getting the impression that autofocus wasn't a strength for the G1X?

It's worth noting that the G1X2's press release makes absolutely no mention of the new camera's close-focusing performance, which was another significant non-strength of the G1X1. The early word is that this has improved significantly, and while it could hardly get any worse than the original, if it really is as good as those reports say then it deserves to be mentioned. Perhaps the memory of the G1X "macro mode" is still too painful for Canon to bear?

Utilizing the bright, capacitive touch, three-inch tilt LCD on the PowerShot G1 X Mark II camera helps provide flexibility in shooting by tilting 180 degrees up and 45 degrees down.

A well-written release will only talk about what has been added, leaving us to decipher what was taken away. The tilting screen is a downgrade from the flip-out screen that the G1X and other G-series cameras have used in the past, although this new style matches the Sony RX100M2 and many others. Not that Canon considers them to be 'competition', of course, but it proves what the market is willing to accept.

The PowerShot G1 X Mark II camera is also compatible with Canon’s new optional electronic viewfinder that mounts to the hot shoe.

The optical viewfinder has always been a staple of the G-series, making the G1XII the first one in over a decade to omit it. That said their OVFs are pretty bad, and always have been – more of an aiming device than a compositional tool. Removing it lets the camera be smaller, and removing most of the top-deck dials and physical controls in favour of the Dual Control Rings pushes it even farther from the G-Family. I'm actually waiting for people to realize that the G1X2 is really a big-sensor S-series rather than a Super-G.

I do like the way the phrasing here makes it sound as if the EVF will work across multiple cameras, rather than being a $300 dedicated accessory; perhaps other cameras will use it in the future, but other brands have shown that these expensive devices can have remarkably short life cycles.

… the camera’s Background Defocus mode softens the background behind a subject to help users create professional-looking portraits.

Yet elsewhere the press release says "With this wide of an aperture, photographers have the ability to isolate their subjects by separating them from a background that is blurred.… The new lens also features a nine-blade aperture to provide beautiful, blurred backgrounds even at full-zoom range." Safety through redundancy, in the belt-and-suspenders style? Regardless, it's nice to know that there's a Professional-Looking Portraits mode built in, which is vitally important in a professional-level point-and-shoot.

And yes, the release mentions other whizbang modes and scene innovations, but even I eventually exceed my tolerance threshold and need to skip to the end.

The PowerShot G1 X Mark II digital camera will be available starting in April for a retail price of $849.99.

That $850 MSRP (dealers may sell for less) happens to be the street price of a Rebel T5i with an 18-135 STM lens. There's a massive premium for petite cameras these days – a 'petimium'? – and the market is far from proven. We're six weeks away from the G1X2's arrival, so there's still time for the camera market to completely change, but as it stands the X2 won't help Canon's reputation for pricing their cameras above their (frequently more capable) competition.


last updated 18 feb 2014

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