2011-12-30

"Toronto Rocket" LED Subway Maps


Concept: 3 out of 5
Execution: 1 out of 5
Yeah, but: Just look at how shiny it is!

The Long Version: Toronto has been working hard on its transit system recently. Just this year the city has decided that transit is so essential that the workers who run it lost their right to strike, but not so essential that the system should actually be properly funded or given priority in transportation planning. As always, politics involves compromise.

As a way of squeezing more capacity out of a constrained system, the Toronto Transit Commission has been introducing new subways to its busiest line. Enthusiastically called the Toronto Rocket, these Canadian-made cars offer significant improvements over the previous Canadian-made models. In addition to more standing capacity and wider doors, they've tinted all of the glass so that passengers aren't distracted by being able to see what station they're in. The new subways also introduce some cutting-edge 90's technology, like computerized voice announcements, pixel boards, and LED lights in the system maps.


The LED maps use green and reddish-orange lights to indicate the stops. The upcoming stop flashes, and the 'interchange stops' – a term that, as far as I know, isn't used anywhere else by the TTC – are marked by larger lights that are always orange. In our "green means go" society, where red is used to mark hazards, it's natural and intuitive that the train has passed the orange lights and the green ones mark future destinations. However, since this is the TTC, that's the exact oposite of what the colours mean.

The TTC hasn't called a coin toss correctly in years.

One nice thing that the new "Rocket" trains have is indicators showing which doors to use at the next stop. Toronto mixes island with side platform stations, so this is good to know. This could also be shown on the system maps by replacing the station-marking dot with a bold dash. Oriented along the subway line, it shows an island platform, but drawn across the line it would represent side platforms. They could even add a subtle break in the dash at Dundas to show that it's the only station where it's not possible to change from one platform to the other.

If they were inventive, they could even make it light up.


photos updated 9 jan 2012

2011-12-24

Drink Toque


Concept: 4 out of 5
Execution: 3 out of 5
Yeah, but: Quick, guess which country it's from.

The Long Version: Humour counts for a lot, and The Drink Toque makes the most of it. It's really just a can cozy, but it's knitted instead of being made out of the ubiquitous neoprene and foam rubber. It's perfect for lounging around in our typical Canadian weather.


To compliment this fairly simple idea, there are loads of colours and patterns available, and they come in different sizes as well. Mine's a small, designed for 355ml containers, but it's a touch tall for the coke cans that I usually prefer. I don't suppose that it's an accident that the website shows them on bottles, but it's easy enough to snug down a touch. I doubt that these will keep cans as cold for as long as some of the more hard-core designs, but that's okay. Humour counts for a lot.


last updated 24 dec 2011

2011-12-20

Domke Camera Straps


Concept: 2 out of 5
Execution: 3 out of 5
Yeah, but: Yeah, they're hard to be excited about.

The Long Version: Domke Camera straps come in two main varieties: swivel and non-swivel. Me being me, I own both, which has given me a good opportunity to compare them.

While there's also a model that's 1.5" wide, I prefer the 1" wide strap. The centre of the strap is just like the ones on Domke camera bags, being made of heavy canvas with ribbons of rubber woven into one side for grip. The two ends of the strap are nylon that's narrow enough to fit through camera lugs, and split rings and little leather camera protectors are also included for those who need them.

The Domke swivel straps have clips that join the nylon webbing to the wider fabric shoulder section. The idea behind this is to let the camera attach to harness points on vests and backpacks, and it can also be used to tether the camera to a chair or table leg when stopping for lunch. The strap doesn't get twisted around on itself, and it's easy to reverse the fabric so that the 'gripper' rubber can be turned off, as there are times when it can be a little too much.


The downside of the swivel strap is that it has swivels on it. They add metal to the middle of the strap, where it can bump against the camera when it's put away. They can make noise, which matters more now that some cameras record video, and I suppose someone somewhere could have a story about one of them coming detached at an inopportune time. Those potential problems are solved by Domke's non-swivel strap, in which the nylon webbing is sewn directly to the same "D" rings that the swivels would otherwise attach to. With that exception, the construction of both straps are the same, which is excellent. These straps are classics for a very good reason.

If I was to see both styles of strap at my local camera store, I'd almost certainly choose the non-swivel model. But there's really no bad choice here, since both will last a long time, are comfortable to wear, and don't shout out about any particular camera brand. While I prefer my Gordy straps for ones that I normally loop around my wrist, these are my favourite straps for cameras that I typically wear from my shoulder. They're not quite mandatory upgrades for me, but it's very close.


Finally, a bonus tip: the way these straps are shipped, with strap doubled back on itself and tucked through the plastic retainer, is simply for convenience. The correct way to attach a camera strap is to run the bitter (which, for all you married people, means 'free' or 'loose') end through the top of the buckle and back down toward the camera, as if the goal is to create a loop out of the webbing instead of a strip. This neatly tucks the end of the strap in between the layers of webbing, and is both aesthetically pleasing and very secure. Nikon has a good illustration of the technique, but it works for all brands.


last updated 20 dec 2011

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